Blood Moon Lunar Eclipse, September 27, 2015. Left image: 70-300mm lens @ 270mm, ISO 1000, aperture f/5.3, shutter speed 1.3 secs. Right image: 70-300mm lens @ 300mm, ISO 800, aperture f/13, shutter speed 1/1250 sec.To photograph the moon:
1. Use a tripod! A flat surface will only allow you to shoot straight, and shooting the moon means that you'll be shooting up and constantly re-adjusting the tripod as the moon moves throughout the night. 2. Use a shutter release cord, remote or the camera's self timer if you don't have one, so that you don't move the camera when pressing the shutter release during a long exposure. 3. Use a zoom lens and zoom in as much as you can to the moon. It's okay if it's not a super fancy lens, this was shot using a 15 year old $100 lens. Focus in on the craters and details on the moon. 4. ISO 1250- 1600, so that you can use as fast a shutter speed as you can without losing detail-the longer the shutter speed, the more chances you have the camera will shake even slightly in the wind, resulting in an out of focus photograph. 5. Aperture priority of f/5.6 since you are not worried about capturing any details other then the moon. 6. Bracket your exposure, meaning over expose and underexpose the photograph from what the camera is telling you. Generally the camera will overexpose the moon, so you'll get nothing but a white blob in the sky. Use the exposure compensation button (the +/- button below the shutter release) and change the exposure to -0.5, then -1.0, then -1.5 and so on, until you start seeing detail in the moon. You may go as far as -5.0 exposure compensation to get what you need. 7. Take a fair amount of photos and keep refocusing as the night progresses. The photographs may look focused on the camera's display, but you won't really see if they're completely in focus until you upload them onto your computer screen.
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ISO:400, Aperture f/8, Shutter Speed:1/320 BALANCE a. This is a photo of cups stacked on each other bin front of a tree. b. Its shows balance within how the cups are stacked on each other. c. This photo is successful because i was able to capture the picture without them falling over. ISO:400, Aperture f/8, Shutter Speed: 1/2000 PORPROTION a.this is a photo of a short student and a tall staff member. b. It shows proportion between these two because one person is tall and the other is short. c. This photo is successful because i was able to get a good picture showing the difference between heights. ISP:400, Aperture:f/8, Shutter Speed:1/1,000 RYHTM a. This is a photo of students walking for P.E b. It shows rhythm by showing one kid after another after another c. this photo was successful because i was able to get a group of people ISO:400, Aperture f/8, Shutter Speed:1/1000 EMPHASIS a. this is a photo of a beautiful pink flower b. it show emphasis because the pimk flower is the first thing you look at when you see this picture and it pops out c. this piece was successful because i just captured a pretty flower ISO:400, Aperture:f/8, Shutter Speed:1/1200 HARMONY a. this is a photo of the sky with a little bit of tree b. this photo shows harmony with showing all the colors b. this photo was successful because i was able to get a good, clear photo. ISO:400, Aperture f/8, Shutter Speed:1/4000 VARIETY a. this is a photo of different condiments b. it shows variety because it has different things you can use c. this photo was successful because i was able to capture all the different condiments ISO:400, Aperture f/9, Shutter Speed:1/640 UNITY
a. this is a photo of three different people and their different shoes b. it shows unity by bringing people together c. this was a successful picture because i was able to take the picture with our shoes being clear and our body being blurry which is what i wanted. Elements of Art
Line
laws of interior Design by Sandy Skoglund. 2004 www.artnet.com/artists/sandy-skoglund/ Color
Shape
Form
Texture
Space
Value
Balance
Proportion
Rhythm
Rabari Tribal Elder by Steve McCurry in 2010 https://pro.magnumphotos.com Emphasis
Tuscany and Provence by Joel Meyorowitz in 2012 www.howardgreenberg.com/artists/joel-meyerowitz Harmony
Around The Clock by William Wegman in 2007. https://www.artsy.net/artist/william-wegman Variety
Photograph taken by Mark Ellen Mark in North Carolina 1990. www.theguardian.com › Arts › Art & design › Photography Unity
With my artwork what its about is respecting and helping others. What he had did was picked up the mans things that fell off his cart and returned it to him. Helping others and respecting them is always respecting yourself because by doing that your being a good person. With being a good person it makes you feel better and happy in many ways. 1. I had took all my photos in a dark room on a tripod. I had my partner use glow sticks and the app called my light paint. I tried to get him to do different things that he liked. 2. I didn't have any struggles with the light painting. I thought it was fairly easy. 3. What i learned from light painting is how to capture a picture in the dark using shutter speed.I also learned that you need a sturdy tripod to capture a perfect picture. The last thing i learned is that with light painting you can do anything with it like creativity. ~ Shutter speeds are both a technical and aesthetic choice a photographer needs to make before releasing the shutter. ~ The shutter inside your camera controls the duration of time the sensor is exposed to light. ~ Capturing blur or motion in your photograph can emphasize movement and add drama. ~ A fast shutter speed is utilized to freeze the movement of a subject. ~ A slower shutter speed can be used to show motion and visualize movement. ~ Shutter speeds are expressed as seconds or fractions of seconds ~ As a general rule to prevent unintentional camera shake you should avoid handholding your digital cameras at shutter speeds slower than. ~ Using a tripod can help eliminate camera shakes when using slower shutter speeds. ~ The visual blur and suggestion of movement occurs because the subject is moving against a static background. ~ Layering motion of different subjects moving different directions at different speeds can set up interesting dynamics within a photograph. ~ Fast shutter speeds can make normal subjects appear to freeze in the air. ~ When photographing people running relatively close to the camera a shutter speed speed of 1/1000 second or faster should freeze most motion. ~ The distance the subject is from the camera, the speed of the subject, and the focal length of the lens will affect whether the subject is sharp or blurred. ~ Slower shutter speeds can help convey the idea of motion and movement. ~ Slow shutter speeds combined with panning can help isolate the subject from a busy and distracting background. ~ A tripod combined with a long exposure can capture the fireworks’ trails. ~ Water movement can be emphasized with long exposures. |